In college, I was the Musical Director of the All-Female A cappella group on campus and Greg was the Musical Director of the All-Male group. For a while, it was my life. I arranged music, invented choreography, planned rehearsals, scheduled bonding activities and tried my damnedest to knead the Drama and Cattiness out and replace it with warmth and excellence. I'm proud to say (that obviously with the help of the entire group and the talent of 15 amazing women) I made A LOT of progress. The term-in-office for a Musical Director is one year from the beginning of a Spring Semester until the end of the following Fall Semester. Come November of 2005 I was nearing the end of my final term as a Senior. I had a rhythm to how I handled events and concerts - and a Big One was approaching.
Starting the previous year, we had begun what we hoped would become an Annual event: An A cappella Extravaganza, featuring all four Lafayette College groups AND each Lafayette Group invited a Guest group from another school. We took over the entire Performing Arts Center with our matching outfits, our bits of Flair, our pitch pipes, and our vocal percussion. Each group was stationed in their own room.
Traditionally, All-Female groups invited All-Male groups and vice versa. It was like herding cats to keep the girls all in the warm-up room and get them focused. They kept slipping out to go spy on the attractive men's group from Swarthmore or the mixed group from UPenn.
I was wired and focused and no-nonsense. We warmed up. They had strict orders to report back to the room 10 minutes before the concert started. I set them loose for a while.
The concert was great. I love a cappella music - it never fails to give me goosebumps. There was a brilliant version of "Lightning Crashes" and an overly ambitious version of "Italian Restaurant" and an absolutely electric version of "Obsession". Cadence - My group - was on in the second half.
Everyone had to turn in their songs beforehand for the printed programs - but the OTHER invited All-Female group hadn't gotten around to it so it had been a complete surprise to hear them sing "Can't Take My Eyes Off of You". It was delightful to hear them suck at it. And it was intoxicatingly delightful to sing our version later in the concert (We had handed in our songs and
couldn't just change our set last minute) and blow everyone away with our awesomeness - our reference to "Sunday Morning" by Maroon 5 and a short quote from Stevie Wonder's "Living in the City" AND our amazing (and simple) choreography.
To say I was in a good mood coming off the stage is an understatement.
All that time I hadn't spent any time with Greg. He was doing his thing with his guys - getting them ready and lined up and whatnot. The Chorduroys -- Their group -- was the last to go in the concert that day. For some reason all-male a cappella is pretty much always adorable. There's very little they can do to suck completely - a little enthusiasm makes up for a lack of musical talent. But the chorduroys had both Musical Talent AND enthusiasm going for them.
All the groups were standing in the wings behind the stage waiting for their set to end because we were going to do one giant cheesy finale song that we'd only learned that morning. So we cheered as loudly as we could from the dark backstage area as they sang through "Alcohol" by BNL and "Africa" by Toto amongst others.
We were only allowed a 3-4 song set so when their 4th song ended, I was just about ready to lead the charge to join them when Greg walked to the Microphone, centerstage.
"I'd like to thank everyone for coming out this evening. We have one more song for you. It's a very special song"At this point I was pissed. They totally violated the 3-4 set rule.
Standing Cold and Scared on top of the Hill
Then came the moment when I lost my Will
I prayed for mercy please Lord take me away
Give me Sunshine where I only see gray
Suddenly I realize I'm standing all alone. I HAD been surrounded by my girls - but now they are all huddled 10 feet behind me, clutching each other. I'm alone and standing closest to the stage. I remember thinking - This is extremely weird.
The past had a hold on me
It Can't be denied
And the changes didn't come easily
"Can Megan Please come out onto the stage?"
and as they sang the chorus of the song...
I've been lonely
I've been cheated
I've been misunderstood
I've been washed up
I've been put down
I've been told I'm no good
But with you I belong, cause you help me be strong
There's a change in my life since you came along.
In front of an audience of 400 people, he knelt to the ground in front of me, pulled out a small black velvet box, and opened it.
I don't remember him actually asking me to marry him. I don't remember saying yes out loud. I remember feeling like I was 10 feet off the ground. I pulled him up into a hug that didn't end till the song ended. There was a roar of applause and screams of delight. My parents were in the audience.
It was perfect.
I later learned that everyone, except me, knew about it. The girls in my group weren't sneaking away to flirt with the group we'd invited to sing with us - they were sneaking away to harass Greg into showing them the ring. The guys in the group ALL spent hours of their free time learning that song specifically so that Greg could propose while they sang it. Greg stole the arrangement off my computer in secret (One I'd been working on for some time for fun) and re-arranged it for men's voices. He went shopping for the ring with one of my close friends. He'd had it in his pocket for a few weeks before actually proposing on that stage. And he asked my parents' permission first.
Lately I've been browsing a few new blogs and I've come a cross a few adorable stories of marriage proposals, like
this one. My guess is we're all biased, and barring having some kind of insensitive catastrophe of a proposal - you're going to think your moment was perfect.
In the spirit of romantic recollections, I wanted to share the moment I got engaged to Greg with you.